Saturday, June 27, 2009
Thursday, June 25, 2009
Wednesday, June 17, 2009
>> Mosque Baba Adam
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A slightly later date the elegant 6-domed mosque (13m x 11m) sq meters of Baba Adam in Rampal near Dhaka was erected by your Malik Kafur during the reign of the last Ilyas Shahi Sultan, Jalauddin Fateh Shah in 1483 AD. It displays the same characteristic features of the period such as the faceted octagonal turrets at 4 corners, the curved cornice. The one facade and 3 mihrabs relieved richly with beautiful terracotta floral and hanging patterns.
>> The Ahsan Manjil representing the era of Nawabs
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It is situated at Kumartoli in old Dhaka on the bank of the river Buriganga. It was the residential palace and the kachari of the nawabs of Dhaka. It has recently been turned into a museum. The construction of the palace was begun in 1859 and completed in 1872. Nawab Abdul Ghani named it Ahsan Manzil after his son Khwaja Ahsanullah. Ahsan Manzil is one of the significant architectural monuments of the country. Established on a raised platform of 1 meter, the two-storied palace measures 125.4m by 28.75m. The height of the ground floor is 5 meters and that of the first floor 5.8 meters. There are porticos of the height of the ground floor, both on the northern and southern sides of the palace. A spacious open stairway has come down from the southern portico, extending up to the bank of the river through the front garden.
Internally, the palace is divided into two symmetrical halves on either side of the dome. There is a large drawing room in the east wing of the first floor. On its northern side there is a library and a card room, and in the eastern corner there are four square rooms. On the western wing of the first floor there is a spacious jalsaghar with a Hindustani room on the northern side and four square rooms in the western corner. The floors of these two rooms are made of wooden planks. On the ground floor there is a big dining hall and six square rooms in the eastern part. There are attractive wooden stairs in the room that is attached to the north of the domed room. The bauisters were ornamented with vine leaves made of iron along the railing of the stairs. The wooden ceiling of the room, decorated with geometric designs, is very elegant.
>> The Seat of Lost Dynasties
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It is called the Seat of Lost Dynasties. About 8 km to the west of Comilla town, situated 114 km southeast of Dhaka, lies a range of low hills known as the Mainamati-Lalmai ridge, which was an extensive centre of Buddhist culture. On the slopes or these hills lie scattered a treasure of information about the early Buddhist civilization (7th-12th Century AD.). At Salban in the middle or the ridge, excavations have laid bare a large Buddhist Vihara (monastery) with an imposing central shrine. It has revealed valuable information about the rule of the Chandra and Deva dynasties which Flourished here from the 7th to the 12th century AD. The whole range of hillocks runs for about 18 km and is studded with more than 50 sites. A site museum houses the archaeological finds which include terra cotta plaques, bronze statues and caskets, coins, jewellery, utensils, pottery and votive stupas embossed with Buddhist inscriptions.
>> Lord Curzon Hall of Dhaka University
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Curzon Hall meant to be a town hall, was named after Lord Curzon, the Viceroy of India, who laid its foundation in 1904. A year later Bengal was partitioned and Dhaka became the capital of the newly created province of East Bengal and Assam. Following the annulment of partition in 1911 it was used as a premise of Dhaka College, and after the establishment of Dhaka University in 1921, became part of the university's science section and continues as such. Laid out in a spacious and carefully maintained garden, this double storeyed brick building has a large central hall, lateral wings on the east and west with several rooms, and a continuous verandah on all sides.
One of the best examples of Dhaka's architecture, it is a happy blend of European and Mughal elements, particularly noticeable in the projecting facade in the north which has both horse-shoe and cusped arches.
The style combined traditional art with modern technology and functions and favoured Mughal forms such as arches and domes, believed to have entered the Islamic world from the west. It marks the casting aside of veiled power after the sepoy revolt of 1857, and India's passing directly under the British Crown, seeking legitimacy by linkage to the Mughals. The red colour substituting for red sandstone, and the ornate brackets, deep eaves, and domed terrace pavilions (chhatris), specially of the middle section are strikingly reminiscent of the small but well-known Diwan-i-Khas in the palace fortress of Fatehpur Sikri, Emperor akbar's capital between 1570 and 1585. Not only were both cities new capitals, but the deliberate choice of the Fatehpur Sikri style may be explained by the fact that the British favoured Akbar as the wisest and most tolerant of all the Mughals, feeding into the ideal of their own role in India.
The Curzon Hall has attained a great significance in the history of the language movement. It was here, in 1948, the students of Dhaka University uttered their first refusal to accept Mohammed Ali Jinnah's declaration that Urdu alone would be the state language of the then Pakistan.
>> Chotto Sona Mosque/Small Gold Mosque
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One of the most graceful monuments of the Sultanate period is the Chhota Sona Masjid or Small Golden Mosque at Gaur in Rajshahi. Built by one Wali Muhammad during the reign of Sultan Alauddin Husain Shah (1493-1519), it was originally roofed over with 15 gilded domes including the 3 ChauchaIqa domes in the middle row, from which it derives its curious name.
>> Lalbag Fort in Old Dhaka City
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Lalbagh Fort, an incomplete Mughal palace fortress in Dhaka stood on the banks of the river Buriganga in the southwestern part of the old city. The river has now moved further south and flows at Quite a distance from the fort. D’Oily’s painting (1809-1 I) shows that more than half of this east-west oblong fortress touched the water of the river on its southern and southwestern sides. The construction of the fort was commenced in 1678 AD by Prince Muhammad Azam during his I 5 month long vice-royalty of Bengal.
For a long time the fort was considered to be a combination of three buildings (the mosque, the tomb of Bibi Pari and the Diwan-i-Aam), two gateways and a portion of the partly damaged fortification wall. In the present fort area of 7.2 hectares, excavations have revealed the remains of structures. Of the three surviving gateways, the southern one is the most imposing. Seen from the front it is a three-storied structure with a fronton, bordered with slender minarets. From inside it gives the impression of a two-storied structure.
A water channel with fountains at regular intervals connects the three buildings from east to west and two similar channels run from south to north. The building in the middle, the tomb of Bibi Pari, is the most impressive of the surviving buildings of the fort. Eight rooms surround a central square room, containing the mortal remains of Bibi Pari, which is covered by a false dome. Octagonal in shape, and wrapped by brass plate. The entire inner wall of the central room was covered with white marble. While the four side central rooms had stone skirting up to a height of one meter. The wall in the four corner rooms was skirted with beautiful glazed floral tiles. The tiles have recently, been restored; two of the original tiles have been retained. The southeastern corner room contains a small grave, popularly known to be of Shamsad Begum, possibly a relative of Bibi Pari. The Lalbagh Fort Mosque is a three-domed mosque with a water tank
>> Sixty Dome Mosque in Bagerhat
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Among the many surviving monuments of the Khan Jahan Ali style, undoubtedly the most magnificent and largest brick mosque in Bangladesh is the Shait Gombuj. It is situated in Bagerhat district. For outstanding architectural value. the World Heritage Committee of UNESCO inscribed Bagerhat in the World Heritage list and it got the status of the second World Heritage site in Bangladesh after Paharpur. As there were a great number of mosques, the Historian, a French monthly termed it a city of mosques. The earliest torchbearer of Islam in the south, Khan Jahan Ali came from Delhi to settle a Muslim colony in this swampland in the early-15th century AD. The natural beauty of the region had such an effect upon him that he spent the rest of his life there. History says that he constructed about 360 mosques and as many freshwater tanks, as well as palaces, mausoleums and other public buildings in a very short space of time.
Out of today's surviving mosques, the Shait Gombuj Mosque is the most magnificent and certainly the largest brick mosque surviving in Bangladesh. Its name, meaning '60 domes', is misleading as in reality, it is roofed over with 77 small domes supported by a forest of slender columns covering a large prayer hall and giving it the appearance of a medieval church crypt. At sunrise when the rays of the sun penetrate the eastern entrances, the interior comes to life. There is little adornment to this building other than the carved stone decoration to the central mihrab at the western end of the prayer hall. The exterior facades, with slightly 'battered' walls, have discernible curving cornices a concession to the local style.>> Language Martyr's Monument of Bangladesh (Shahid Minar)
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The Shaheed Minar (Bengali: Shohid Minar) is a national monument in Dhaka, Bangladesh, established to commemorate the martyrs of the Language Movement of 1952.
On February 21, 1952, dozens of students and political activists were killed when the Pakistani police force opened fire on Bengali protesters who were demanding equal status to their native tongue, Bangla. The massacre occurred near Dhaka Medical College and Ramna Park in Dhaka. A makeshift monument was erected on February 23[1] by students of University of Dhaka and other educational institutions, but soon demolished on February 26[2] by the Pakistani police force.
The Language Movement gained momentum and after a long struggle, Bangla was given equal status as Urdu. To commemorate the martyrs, the Shaheed Minar was designed and built by Hamidur Rahman, a Bangladeshi sculptor. The monument stood until the Bangladesh Liberation War in 1971, when it was demolished completely during Operation Searchlight, a genocide carried out by the Pakistani Army resulting in an estimated 50,000 civilian deaths. After Bangladesh gained independence, it was rebuilt.
Today, the Shaheed Minar is the centre of cultural activities in Dhaka. Every year, the Language Movement is remembered at the monument.
>> Bangladesh National Museum
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Bangladesh National Museum preserves and displays the cultural property and heritage, as well as specimens of natural history of Bangladesh. Its mission is to establish a bridge between the past and the present and uphold the national tradition and culture. The museum itself has a history, which began with the establishment of Dhaka Museum on 20 March 1913 with an annual government grant of Rs 2,000. The Governor of Bengal, LORD CARMICHAEL, formally inaugurated the museum on 7 August 1913 in a room of the Secretariat Building